Our guest contributor this month is Careena Cullen. Careena talks about something we can all relate to: burnout. She shares her experience of what she likes to call “magical wintering,” using her favorite tools, the Tarot cards, to illustrate how she used this period of pausing to replenish and create a new brand.
Hey there, friends!
My name is Careena Cullen, and I have been a magician for 20 years. I come from a performance and academic background, and am currently halfway through a PhD program in the UK, focusing on the intersection of witchcraft and spiritualism in the nineteenth century. I have explored just about every room in the house of magic, from séance theatre to children’s magic, via manipulation. With a wide repertoire of magic to call upon, I am enjoying my magical life, represented by the Nine of Pentacles: appreciating what I have while looking forward to good things to come.
The Pause
Let me tell you about my experience with burnout. It snuck up on me slowly, like a creeping malaise. I found myself going through the motions, churning out shows without feeling any real enthusiasm or passion. Even though I had a new show, “The Library of Eerie Tales,” and my academic writing was on track, I just couldn’t summon the old excitement and spark of joy. What was going on? My body hit the brakes and enforced a pause – the menopause. We’re seeing more and more in the media about how this can affect how women perform and operate on a daily basis.
Sadly, women who are magicians are not immune to this, so it’s important for them to get the lowdown, too! My body wasn’t functioning as it used to, and this affected my magic performances. My hands weren’t working the same way, and somewhere between my brain and my fingers, my hormones were getting in the way. I even forgot how to do an effect I had been performing for over ten years. Crazy, and definitely not my idea of fun. So, what did I do? I allowed myself to pause and wait, creating space to reflect and recalibrate.
Wintering
Taking a break is crucial, especially for those who have experienced, or are experiencing burnout. It’s not just for one gender, and it can benefit everyone. I learned the value of disconnecting from social media and tuning into my inner wisdom during this period, much like the Hermit in the Tarot. By shutting out outside influences, I was able to determine what was truly nourishing and beneficial for my magical practice. This time allowed me to reflect on what kind of magician I wanted to be with my altered body and mind. Since I couldn’t turn back time, I embraced change instead. I saw my wintering period as represented by the Hanged Man, and enjoyed the wait (look at the smile on the face of the Hanged Man.)
Spring
To overcome my burnout and feelings of malaise, I decided to seek out new experiences. One of the most memorable was a trance-mediumship course I took at the Arthur Findlay Centre, the headquarters for the National Union of Spiritualists in the UK. It was a surreal and eye-opening experience that I will never forget. During this time, I also discovered the Emotional Freedom Technique, or tapping, which involves tapping on the meridians of the body to promote calmness and a positive change in mindset. I highly recommend former actor Brad Yates’s YouTube channel for some great tapping rounds.
Another valuable resource was Mel Robbins’s award-winning podcast, aptly named “The Mel Robbins Podcast.” Her science-based pep talks encourage taking small, consistent actions to move forward and avoid feeling stuck. I also had a great conversation with Abigail McBride about the changing roles of women in magic as they age. This is a topic that Dr. Marjorie Hass also discussed at the Magic and Meaning Conference in 2022.
Women magicians evolve from sorceress to wise women as they gain experience, and as I continue to evolve, I have created my own brand as a hybrid tarot reader and magician specializing in weddings, called The Wedding Witch. I also offer a magic lecture for other magicians on my experience creating and marketing bizarre magic shows.
In conclusion, I encourage all magicians to embrace the High Priestess and seek out new experiences. There are always great mysteries waiting to be discovered behind her curtain.
You can follow Careena on Instagram @sylviasceptre1 or email her at sylvia@sylviasceptre.com.
IMAGINE MY SHOCK!!! MCBRIDE’S MYSTERY SCHOOL IN NATIONAL GEOGRAPHIC!
Imagine my shock when I opened up the pages and saw my face staring back at me! Our Mystery School got incredible coverage in this month’s National Geographic. Mystery School featured in National Geographic! The article talks about how to create illusions, the World Championships of Magic, and features many of our friends and faculty here at Mystery School.
You can read the full article here:
https://www.nationalgeographic.com/culture/article/fism-magician-world-championships
Published April 7, 2023, photographs by Dina Litovsky, story by Nina Strochlic and Michael Greshko. Thanks to William Bradshaw, Scott Steelfyre, Tobias Beckwith, and the dean of McBride’s Magic & Mystery School Dr. Larry Hass, for the incredible work you have done for the school this year!
Join Us For a Magical Adventure – McBride’s Mystery School Festival of Magic
Dr. Ricardo Rosenkranz has created a new home for the Mystery School in Chicago. The Rhapsody Theater is an incredible facility that hosts magic, music, and exciting theatrical productions. On June 2, 3, and 4, there will be a full-blown magic festival filled with extraordinary events, one of my favorites being what we call the “magic pub crawl,” followed by a late night party!
You are invited to join us in Chicago for an immersive experience with four world-leading performers and teachers of magic and mentalism. During three full days, you will enjoy four major shows, you’ll participate in workshops, lectures, private parties, and a field trip to Chicago magic sites. Above all, you will spend quality time in small groups learning from the world’s finest magic teachers.
Learn more and join us for the fun! Tickets are on sale here:
https://rhapsodytheater.com/upcoming-events/magic/mcbride-festival/
What is Your Magical Fantasy?
Many magicians dream of producing endless streams of money from their fingertips. Now that dream is a reality! For many years, I’ve kept this secret very close to my heart, and now I have released it to the magic community – 40 years in the making!
Imagine having the power to apparently read other people’s thoughts! Imagine having a full mind reading show that you can carry in your wallet! Join me for an adventure in mind reading magic and very personal hands-on training, limited to 6 students only!
Who is this class for?
What will you learn?
Register now, because space is limited – https://shop.magicalwisdom.com/events
Good Omens Ahead
As Abigail and I look out our back window, the flowers are blooming and the mockingbirds are singing the good news – Spring is here! Nature is reminding us of the great potential that lies ahead for us all.
See you in Las Vegas or online,
Jeff and Abigail
Dear Friends,
Our guest contributor this month is Elliott Hunter, a long time Magic & Mystery School student. Elliott used his magic and illusion show to put himself through college, and earn his engineering degree. At just 23 years-old, he has performed over four hundred shows in the Palace of Mystery at the world-famous Magic Castle, has represented companies like Sony, TEDx and Starbucks, and has won numerous international titles. Most recently, he was named a top qualifier by FISM North America, which allowed him to represent the United States at the FISM World Championships this past summer in Quebec City, Canada. Currently, he is the resident headlining magician on the Princess Cruises flagship in Illusions, one of the top illusion shows on the seven seas.
Put to the Test
I have been training and performing magic for over fifteen years. Having been a student of the Magic & Mystery Schoolfor over a decade now, I have constantly been encouraged to advance my goals, forgo my comfort zone, and seek greatness. For me, this admonition has come in many forms, but has never been put to the test like it has this year. In January 2017, the Genii online magazine published an article about me, and I mentioned that my goal was to perform aboard cruise ships. At the time, that goal seemed like a mere pipe dream. However, in July 2022, when I was in Atlanta performing for the I.B.M. annual convention, I got a call that a cruise company was casting for a resident magician in their next production show, and I was at the top of their list. Of course, I said “yes!”
This year I have embarked on what is probably one of the most challenging endeavors of my career – being the headlining magician for a multi-million dollar production show aboard a brand new cruise ship. However, this comes with a steep learning curve. I was tasked with performing someone else’s show to their standards, while upholding the corporate image of the company. It’s not my job to offer notes, but to take them. My contract clearly states that I am to perform the show as designed by the director. It is my responsibility to film every single show, take notes on myself, then email the files to the director, who will then take notes as well. His job is to be quite particular and ensure that the product remains up to his standards. This was completely foreign to me! There are many habits that I had to learn, and many that I had to break.
Working with a Director
I believe it is crucial that you work with a director at some point in your career, someone who has the knowledge of stage production beyond just magic. A director can look at your show through an objective lens, and make changes based on the show itself. This means polishing your blocking onstage, working with you to deliver your lines with the proper vocal inflections, critiquing your costume, your shoes, your applause cues – the list goes on and on. When working in a production show, these aspects are equally, and sometimes, more important than the magic itself.
It is paramount to never take any notes or direction personally. The director is not there to attack you, but to help you and the show as a whole. I have often found that directors sometimes ask rhetorical questions when offering feedback – statements like “Why are your feet like that? They should be like this.” They usually are not asking for you to respond, they are simply helping you navigate through their thought processes, so you can interpret their notes thoroughly. Sometimes feedback may come across as terse or harsh, but this is normal, and is important for the rapid growth of a show; especially when the rehearsal timeline is so tight!
Learning to Adapt
I have been blessed with the ability to be a very fast visual learner. In engineering school I could watch the instructor do one demonstration, and immediately repeat the procedure move for move. In professional production environments, rehearsal time is often included in your contract; you are paid for rehearsal time as well as for shows. However, this means that rehearsal time is highly valuable and intentional to the company, and they often only allot one to two weeks for rehearsals prior to opening. I had to learn an entire show’s worth of magic effects and illusions that were not in my current repertoire, as well as the script, blocking, choreography and timecode in less than two weeks!
In this professional market it pays to be able to be able to adapt quickly. There have been several occasions in my own shows where I have needed to add new material last minute. This may mean selecting a new effect in the morning, and presenting it as a fully developed routine by the 7:30 showtime! This would be intimidating to any performer, but one of my cruise ship mentors had a strategy for this. He would always bring his copy of Mark Wilson’s Complete Course in Magic. This way, if the cruise director needed him to do another show at the last minute, or he needed ten extra minutes in his show, he could oblige because he literally had hundreds of relatively easy to do magic effects at his fingertips. All he had to do was add his character to the already printed script.
Employ this with Jeff McBride’s concept for “hammocking” your routines, and you have set yourself up for success. This strategy is invaluable, because if there is a last minute cancellation of a scheduled act, the cruise director will need someone else to fill in. If you tell them “no,” there are literally hundreds of other entertainers more than happy to take your place!
Push Your Comfort Zone
I always encourage everyone to push their comfort zone. For you, this may mean competing in a magic competition, four-walling a venue for the first time, or something as simple as trying out a new effect on an audience. The only way we can grow is if we are constantly willing to push our comfort zone. Some of the best advice I ever received is “if doors won’t open, kick them down!” Be willing to take the leap. It is rare that someone will come along and hand you success on a silver platter. The people you see posting online about how much they are working are not showing the blood, sweat, and tears that it took for them to reach where they are. There will always be work for entertainers; it’s just a matter of working hard to get it. Remember, no one came knocking on David Copperfield’s door.
Yikes!
I was scared out of my mind! What if I screwed up? What if I died on tv? Being on national television was a pretty big deal for a 15 year-old kid from upstate New York, and this was my big chance. What’s My Line? was a famous TV game show in the 1970s. I auditioned for a talent scout, passed the audition, and now I had to deliver the goods in front of millions. The good news is that I actually pulled it off. I levitated Broadway star Anita Gillette on the show, and that was my first of hundreds of television performances. During the 80s and 90s I was in a different country almost every week performing on TV variety shows.
Helping Dreams Come True
After over fifty years of performing magic, I’ve gathered a lot of experience, and now I enjoy helping my friends and students realize their dreams. Many of our students at The Magic & Mystery School have gone on to America’s Got Talent – like Mat Franco, who was the first magician to ever win 1st place. Some of you know that Mat started studying here at our school when he was 12 years-old.
Other students I’ve coached have gone on to television shows like AGT, Masters of Illusion, and most recently, Penn & Teller: Fool Us. Currently auditions are taking place for Fool Us, and if you are interested in submitting, I have posted the rules on my personal Facebook page. If you need some help with your show or figuring out what to submit, you can always email me at jeff@mcbridemagic.com.
Here Come the Judge!
Congratulations to Judge Gary Brown for his upcoming appearance on Fool Us. Gary is one of my favorite storytellers, and here is his inspiring story – enjoy!
Mystery School
During a session at the Mystery School’s “Weekend of Wisdom” in 2021, Jeff McBride challenged each participant to set a magic goal to accomplish during the following year. The goal was to be written, and then read to the group. I immediately knew my goal: I wanted to appear on Penn & Teller: Fool Us. But, I lacked the resolve to write it down or say it aloud. Somehow, it felt too big, too audacious, so I substituted “performing at the Magic Castle” instead. Yet, in my heart, Fool Us remained my true objective.
If you want to improve as a performer, goal setting is crucial. Over the past decade, I’ve set and met several magic goals: developing a standup act, inventing about a dozen original effects, studying and lecturing at Mystery School, and writing more about performance magic. Each goal, unimaginable just a few years earlier, required sustained effort and perseverance. Most also required guidance and feedback from mentors and friends, that helped turn fantasy into reality.
Attaining those goals resulted in amazing (and sometimes unexpected) opportunities: performing at new venues, writing Wandcraft, serving as the Distinguished Lecturer for an international convention, and receiving awards from the I.B.M. and the S.A.M. More rewarding, though, were the relationships that followed: deepening involvement in the art resulted in bonds with remarkably talented and interesting people.
Magic Goal Setting
A few months after the “Weekend of Wisdom,” Fool Us was seeking performers for Season 9. It was time. I decided to develop a new set using one of my inventions, the Viking “Spirit Trumpet,” for an audition video. Transforming that stage piece into an act appropriate for Fool Us proved daunting, and I needed help. Much of that support came from the Mystery School community: drawing on their deep experience and knowledge. Jeff and Mystery School Dean Larry Hass provided invaluable advice, reassurance, and support.
I submitted the video, presuming I would never hear back, yet within twenty-four hours, found myself on the phone with the show’s producers and magic consultant Michael Close. The ensuing months involved revising, rescripting and reshooting the routine, hundreds of rehearsals, and attending to countless details. Through it all, my mentors and magic colleagues helped me with editing, scripting, blocking, and stagecraft. Then, it was off to see the wizards!
Fool Us is unlike ordinary reality shows that gleefully wallow in a contestant’s failure. Everyone associated with the production loves magic, and strives to ensure that your magic looks beautiful. In a whirlwind, I encountered the Fool Us team: writers, directors, magic consultants, travel specialists, and fashion advisors who would handle everything related to my trip and appearance.
Fool Us
Shooting began inside Penn & Teller’s secret storeroom, a gigantic space stacked floor to ceiling with boxes marked with familiar illusion names like ‘Shadows’ and ‘Needles.’ “Pretty cool in here, don’t you think?” asked our escort. “Well, don’t touch anything!” The storeroom also housed Penn & Teller’s props department, a group of craftspeople who could fabricate, fix, or jerry-rig anything that a magician might need. Contestants were shown to an impromptu seating area, where we made nervous chit chat while waiting to be called.
A short elevator ride from the secret storeroom deposits one onto the main stage. The backstage area is reminiscent of the interior of a submarine – dark, cavernous, but tightly packed with experts urgently working over glowing displays and readouts. I was fitted with a microphone, and consulted briefly with the stage manager, audio engineer, and, frankly, more supportive crew members than I can recall. And, in what seemed the blink of an eye, I found myself on the main stage. The contrast between the dark, crowded wings and the brilliantly lit stage of the mammoth Penn & Teller Theater is jarring, if not overwhelming.
What happened next? Well, I’m not allowed to say. But you can see the results on March 31, when my segment is scheduled to air. I’ll be seeing it for the first time, as well. After the filming, though, I knew just what to do. Just as Superbowl athletes famously proclaim “I’m going to Disneyland” after a big win, following the most amazing achievement of my magic career, I headed straight to Mystery School. There, I reconstructed the performance for Jeff, and described its reception by Penn & Teller. Jeff shared more important tips and encouragement.
The lesson? Set goals for yourself and your magic. Find mentors and a supportive community. Put in the work. And don’t be afraid to aim high. You never know what might happen. And, incidentally, the producers at Fool Us are looking for auditions for Season 10….
Dear Friends,
Our guest contributor this month is David Morey. Consultant, strategist, author, speaker, professor, and magician, David serves as the Chairman and CEO of DMG Global and Vice Chairman of Core Strategy Group. He has advised five Nobel Peace Prize winners and twenty-two winning global presidential campaigns. David has consulted companies including Apple, Coca Cola, Microsoft, and McDonald’s, and served as a professor at a number of prestigious universities. He was the winner of the Joseph Wharton Award in 2018 for lifetime achievement and leadership, and has authored four best-selling books.
Skunk Works Yourself
Here’s simple advice for all creatives, businesspeople, and magicians. Skunk Works yourself! Whether you’re escaping the center of a bureaucracy threatened by and ready to throw antibodies at your best creative ideas, or whether you’re extracting from the day-to-day tyranny of the urgent: Skunk Works yourself. Get out and off to a creative periphery – think sun, beach, secret house, resort or, well, Las Vegas.
I do it once or twice a year. So did Bill Gates. So did Thomas Edison, who constantly “escaped” to his Menlo Park workshop, his Miracle Factory, to just try stuff – thinking, prototyping, and conducting ongoing mini-experiments. In my book, Creating Business Magic, written with the legendary Eugene Burger and my friend John McLaughlin, we recommend “disorganizing” your own innovation efforts…and even talk about Jeff McBride, the Water Bowls, and the Magic and Mystery School.
Disorganize Innovation
“There’s something about the center of any bureaucracy – it’s as if the water tastes different there.” – Robert Shapiro
Scene: We are in the suburban Las Vegas home of Jeff McBride, one of the best magicians in the world today. Gathered here are some of the other top American magicians, taking a five-day Master Class sponsored by the world’s most famous magic school. In the desert heat, this select group comes together to hear lectures, try out new material, and endure more-or-less polite critiques.
Most of all, they create new ideas in a professional magicians’ equivalent of the experimental “Skunk Works” that legendary aircraft designer Kelly Johnson led for Lockheed. Or think of it as akin to Steve Jobs’s famed “Mac Group,” set up in a Cupertino, California, strip mall, physically separate from official Apple HQ and topped by a Jolly Roger pirate flag. Today, imaginations are fired up inside an unassuming desert home, the very environment in which McBride synthesized the shamanistic roots of magic to create a totally new effect – the Water Bowls.
Now take your mind outside the suburban house and into a great Vegas showroom. There, onstage, eerily lit from above, dressed as a shaman from an earlier age, McBride displays two metal bowls, obviously empty. Suddenly, in response to an ancient musical call, he looks up, appealing to the gods of water for their bounty. He asks, he prays. And the water comes, filling both bowls. He drinks it all, and then shows the bowls, now dry. McBride asks for more. Again, the bowls fill. He drinks. They fill again, and again, and yet again. It seems too much. Yet the bowls fill again. A thankful McBride accepts at long last the final drops. He says nothing, but the audience understands. The magic of life is good.
The lesson: innovation and breakthrough happen outside the daily bureaucracy of our lives, and away from companies’ and organizations’ incumbent centers.
And check this video and chapter summary from my latest book, Innovating Innovation, to see how in the 1990s Bill Gates got away once or twice a year for his own “Think Week” or Skunk Works. Secluded cabin, no TV, no phones, and no emails. Gates only out-bounded ideas that he spent the day cooking up, leaving time out in this creative periphery, in his own Skunk Works, to just think – because thinking can be the most magical thing magicians can do.
So, fellow creatives, businesspeople, and magicians – Skunk Works yourself, and let the magic of imagination go to work!
David Morey