The 7th Veil
Friday, May 10th, 2013
Dear Friends:
I’m always delighted when we have a Museletter written by our friend George Parker. George is a real wizard in every sense, and I know I always learn something from every conversation I get to have with him and everything I read that he writes. George lives in Amsterdam, and bills himself as a corporate alchemist – which means he helps companies and corporations, as well as individuals, create positive change, often using his magic. I know you’ll enjoy his insights below!
From George Parker:
The 7th Veil
Shakespeare once wrote: “I like your silence. It the more shows of your wonder.” I think he was right. When we experience wonder we fall silent. We react quite differently when we’re surprised, astonished, amazed, flabbergasted, stunned, astounded or startled.
I love both the experience of wonder as well as creating that experience for my audience. Yet I know that my success is often judged by how loud people scream and laugh and how much they will talk about it after the show. If I want to be perceived as successful I need to include some ‘cheerleader’-magic generating big laughs and loud cheers. If I want to be successful in my own definition I need to create the state of wonder which will in turn generate silence.
I’ve tried to solve this in a couple of ways. First, I look at my shows from a musical perspective. I want my shows to be symphonies. The instruments (script, visual effects, music, interaction, etc.) need to work together to create the bigger picture. I also want to mix in slower pieces and silent moments to create more texture.
The second solution was inspired by Sam Sharpe. In his ‘Neo Magic’ he wrote about the famous 7th veil that belly-dancers never remove while dancing: “The fine artist never attempts to withdraw the 7th veil. This means that in conjuring the greater effect is liable to be created or some sort of cover is used. To vanish a lamp from under a foulard is far more magical than to use the visible disappearance.”
Using this principle I’m able to ‘train’ my audience to hold their attention and open up to being silent. Once they get used to postponing their need to release tension by being loud, they will be much more inclined to switch to a state of wonder later.
It’s even true in real life, I’ve discovered!
George Parker
From Tobias:
Thanks, George!
And now on the the “news” part of the Museletter newsletter.
At the end of this month, Jeff will be travelling east for just two East Coast events. The first, on May 29-30, is sponsored by our good friend Marc DeSouza, who is an amazing magician in his own right. Marc’s space for events is very small, so if you’re in the area, I would urge you to get in touch with him as soon as possible. This will sell out fast, and you’re amongst the first to hear about it. For more info, e-mail Marc directly: FKaps@aol.com.
The second event will be at Howard Katz’ Magic Warehouse, again with show, lecture and workshop. The dates are June 1-2, and I understand Jeff will be actually hosting our Monday Night Mystery School show from The Magic Warehouse on Monday, June 3. For those of you who may not be aware, The Magic Warehouse is one of our sponsors for the Monday night shows, so it will be especially fun that Jeff will be able to broadcast – and give you all a short tour “behind the scenes” with Howard while he is there. There is a link to all Jeff’s events while in Baltimore on the home page for the Magic Warehouse: http://themagicwarehouse.com/. Go…buy a ticket now. They’ll go fast!
And while you’re there – buy some magic, too!
Till next time, then.
Tobias Beckwith
tobias@yourmagic.com



There are several sets of questions here. The first set deals with why this is happening. Why is it that in our performances we speak too fast? What got us on this road? And does understanding the origin of our fast speaking empower us to change? Does this knowledge empower us too stop speaking too fast?
Which brings up an interesting thought, and one I know we’ve mentioned before, but which I think is worthy of mentioning once again. In the last two classes, we had no fewer than 4 students with us who had received scholarships in one form or another. All of them were wonderful additions to the class – and people who faced challenges getting there – challenges which the scholarships helped them overcome.





How often we take this precious resource for granted. When I moved to Las Vegas, nearly sixteen years ago to be with Jeff, my entire relationship to water changed. I try to make my connection to water a conscious part of “the flow.” I make it a point to stay hydrated, and each time I drink, I think about my part in this great tide, and I strive to be mindful in my use of water.







Welcome to our new year. And, if you follow the Mayan calendars, to the new B’ak’tun — a term for one of their long cycles, each of which lasts for about 394 solar years. As it turns out, the Mayans never predicted an “end of the world” scenario for the recent turning of their calendar. As it turns out, their calendars track many different cycles, some of which are roughly analogous to our lunar cycles, monthly calendars and solar cycles. And on December 21, 2012, a lot of those cycles all cycled to zero. What does this mean? Nothing really. It is just another system for counting time, not unlike the significance of New Year or midnight. Once upon a time some human being somewhere decided it would be useful to count time in that way.
In my travels I meet many magicians, see many websites, am shown many promo videos, and collect countless business cards. The one glaring issue of everything I see is people trying too hard to make everything themselves. How many of have at one time or another attempted to make our own promotional materials? These days, with every aspect of design accessible on our computers, it is so easy to become caught up in a desire to do everything ourselves just to save a few bucks here and there. With very little knowledge of graphic design, we can download software to make it easy for us to design our own business cards. Most of our computers come with free video editing software that gives the ability to edit our own demo videos. Why would we want to pay someone to design our website when there is such an abundance of free and low-cost programs that claim to be easy to use?
Wonderground News